INFILTRATION

入围意大利国家艺术奖 材料:金箔，静脉血，有机玻璃 尺寸: 50x50x50 cm 通过这项工作，我继续研究血液和血红色这一符号的意义。在这个作品中血液的红色与恐惧 和暴力无关。血液是生命的象征，是消除一切 障碍的基础， 世界上有不同的种族，不同的阶 级，但血液是红 色的。血红色将由身份，肤色， 意识形态等因素分离开的群体重新纳入最基本 的人类定义，在这个定义中我们没有分别。我 试图借用这个装置演示突破障碍和极限的过程。 在作品中放置在有机玻璃板上的六个人形的金 箔板(由棉纸和金箔制作而成)， 而其中放置了 静脉血，血液会被吸收或渗透打破其容器。 渗 透过程将持续一段时间，直到血液被风干，变 成一个二维的形状并保留下痕迹。 即使以金箔 塑造的肉身模型也被打碎，“柔软的生命”却可 能留下我们存在的痕迹。 Shortlisted for the Italian National Art Award Through this work, I continued to study the meaning of the symbol blood and blood red. The red color of blood in this work has noth- ing to do with fear or violence. Blood is the symbol of life, is the foundation to remove a- ll obstacles, there are different RACES, diffe- rent classes in the world, but the blood is red. Blood red brings groups separated by identity, skin color, ideology and so on back into the most basic definition of humanity, in which w- e have no distinction. I tried to use this device to demonstrate the process of breaking through barriers and limi- ts. In the work, a six-man gold foil (made of cot- ton paper and gold foil) is placed on a percol- ation glass plate. It contains venous blood, which can be absor- bed or infiltrated to break the vessel. The permeation process will continue for so- me time until the blood is air-dried, taking on a two-dimensional shape and retaining traces. Even the model of the body, shaped in gold f- oil, is shattered, but the "soft life" may leave a trace of our existence.