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2016年
香港藝術學院
绘画
作品编号27711
作品分类综合材料
创作年代
2015
作品尺寸168×238cm
作品材质炭粉紙本
题材--
400-601-8111
服务时间
周一至周五 9:00 - 17:00
作品描述
何綺雯 香港藝術學院主修繪畫 當影像不斷重複、放大、縮小地打印出來,畫面當中物件的轉化,是越見清楚、還是越變糢糊?打印機不停地重複列印的動作,叫嚷着呆滯的機械聲音;紙張吐出的和暖溫度,最後, 炭粉留下褪色的微粒,一點點、一張張、一疊疊沉澱的重量。就從這一場粗糙的複製影像處理,感覺到一份冷靜且短暫微溫的存在狀態。隱藏於城市的格式下。對黑白影像着迷,一幅炭筆素描、一張舊的家庭照片、一部黑白電影……在不同灰度的明暗層次之間,我看見了時間的副本。身外物、物外身,分不清影像中的人、物、時、地,複製本一層一層地呈現最原始的面貌。 它正在溶解。HO Yee Man, Regina Hong Kong Art School major in Painting When an image is reproduced, Maximized or minimized over and over again,The object in it is being transformed.Will it be clearer or will it be blurred?The printer is mechanically repeating the action,Making a boring flat monotone.The paper carries with it a slight sensation of warmth.Faded black dots ofcarbon powder are what remained at last.Bit by bit, it weighs heavy.In the crude process of image replication,One can experience the existence of composure and transient warmth,Which is hidden under the system of the city.Obsessed by black and white images,A charcoal sketch, an old family photo, a black and white movie…In between different layers of grey tone,I see a copy of time.External to the existence.Existence of the external.The who, what, when, where are vanished in the reproduced image,An image in which the primal state gradually reveals.It is melting.
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