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渐隐的静谧

渐隐的静谧

冯柳燕

2017年

广州美术学院

版画

作品编号54001

作品分类版画

创作年代 2017

作品尺寸293×28cm

作品材质铜版

题材--

千里之行

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作品描述

以长卷的形式且利用散点透视法描绘出我理想中的静谧,画中景物的大小关系并不是印象中的实际大小关系,有些空间关系也是不符合逻辑的,我只是纯粹将心中所思所想表现出来,打破常规尽量不使自己受到些“必要因素”的影响。 In the form of a long scroll and use scattered perspective to describe the ideal of my quiet, the size of the scene in the picture is not the size of the relationship between the actual size in usual,I just pure mind Want to show, break the routine as far as possible not to make their own \"necessary factors\" effect.

导师点评

导师评语: 一个渐渐被树林隐蔽的静谧之境,呈现了作者想象中的世外般的理想境界,然而理想世界与现实生活所产生的落差,也反映了作者对之产生既向往又否定的复杂矛盾心理。该作品的画面以独特的长卷形式呈现,观者在走动赏画的过程中,心里亦将随着逐渐隐秘的小世界而产生心理变化,从而有不同的观感和体会。 作品主要采用铜版画的蚀刻和飞尘技法。首先画线和打上密集的点,然后通过控制松香飞尘的粗细,再通过腐蚀形成不同的肌理,有些地方借助压刀和刮刀提出亮面和灰面,使画面更加丰富。该作品细节刻画精到,画面耐人寻味,充满神秘感。 A quiet conception gradually hidden by woods presents an ideal realm beyond the noisy world in author’s imagination. However, the gap between the ideal world and real life reflects the author’s complicated ambivalence that is both desirous and negative. The picture of this works is showed in the form of unique the long scroll. When viewers are walking around and appreciating paintings, their psychology also changes with gradually hidden small world. Thus, they vary from impressions and perception. Works mainly adopt etching and flying dust technique of copperplate etchings. First, draw lines and dense points. Then by means of controlling the thickness of rosin dust and different texture created by corrosion, and by virtue of pr
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