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失语——手部

失语——手部

程晓芳

2018年

中国美术学院

雕塑与公共艺术学院纤维艺术系

作品编号54795

作品分类装置

创作年代 2016

作品尺寸160×20×20cm

作品材质皮腔、手不翻模

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作品描述

失语一方面是语言有关的脑组织的病变,人类进行交际符号系统的理解和表达能力受到损害;另一方面是一种失效、疏离的状态,每个人用语言表达自己的私有经验,同一个词的意义因人而异, “私有语言”让我们貌似在与自己对话。床,作为人生活的私密空间,同样传达着个人的私密,生活的日常在这个私密的空间中被重新转义为仅供自我理解的“语言”——它只与“秘密”进行着语言的游戏。扭曲的钢筋,是“私密空间”的组织结构,也是个人生活与公共空间的生硬连接,它构成了交流的壁垒。失语,作为一种病变和表达的失效,如同钢筋对于床榻的缝合与拆解,游离于交流和理解的边界。 On the one hand, aphasia is the pathological changes of the brain tissue related to language and the abilities to understand and express that are used for communication symbol system of human beings. On the other hand, aphasia is a state of failure and alienation. Everyone uses language to express his own private experiences. \"Private language\" makes us seem to talk to ourselves. Bed, as a private space of human life, also conveys personal privacy in which everyday life is retransformed to a language that proceed a language game with \"secret\" just for self understanding. It only plays the language game of \"secret\". Twisted steel is the organizational structure of \"private space\", and also a rigid connection between personal life and public space, which forms a barrier to communication. Aphasia, as a pathological change and expression failure, like the steel for the suture and the dismantling of the bed, is free at the boundary between communication and understanding.
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