作品描述
文明之所以成为文明，是因为人。人是有文明属性的，人类在创造文明的过程中也是在不断的修正自我，重塑自我，释放自我以达到解脱和升华。阅读、行走、结识师长都可以让人提早进入文明，以达到普遍意义上的成熟。成熟之后便是经验主义和文本主义的交错与对抗，人生若是一场修行，结局是注定的，让人前行的原动力便是对生死奥秘的探寻。因此，普遍意义上的人类总是会通过某种形式让自己回归大地自然，以完成文明层面的自我结束。
在传统农耕的有限生存条件下，经验主义是唯一的生命体验，也是让人答疑解惑最粗暴的现场力量，当经验和文明高度重叠时就会出现有智慧的老者，但经验也会使人狡诈阴险，自以为是，坠入到文明的反面陷阱。片中的主人公贺李铜太提前让自己生活在生命结束后的场景中，他给自己造墓以完成体面的解脱。这种异常的举动吸引着大批陌生人前来一探究竟。然而，他未经过文明洗礼的生存经验能给前来的人们带来什么呢？他是智者吗？
Civilization becomes civilization because of man. Man has the attribute of civilization, and in the process of creating civilization,human beings are constantly correcting themselves, reshaping themselves, and releasing themselves in order to achieve liberationand sublimation. Reading, walking and getting to know teachers can make people enter civilization early in order to achievematurity in a universal sense. After maturity, there is the crisscross and confrontation between empiricism and textualism. If lifeis a spiritual practice, the outcome is doomed, and the motive force for people to move forward is to explore the mysteries oflife and death. Therefore, in a general sense, human beings will always return to the earth and nature in some form in order tocomplete the self-end at the level of civilization.
Under the limited living conditions of traditional farming, empiricism is the only life experience, and it is also the most violent fieldforce to answer questions. When experience and civilization overlap highly, wise elders will appear, but experience will also makepeople cunning, sinister, self-righteous, and fall into the opposite trap of civilization. The protagonist of the film, he Tongtai Li, lethimself live in the scene after the end of his life in advance, he built himself a tomb to complete a decent liberation. This unusualbehavior attracted a large number of strangers to find out. However, what can his unbaptized survival experience bring to thepeople who come? Is he a wise man?
