浮光 Khidthueng

铜域承载对地方与人的思念，并引来追溯本源的意图。声音由录音及经物料转化以模仿自然元素编组。铜粉覆盖于薄片表面，其存在与自身本源及物外精神连结。宛如一片静止浮光，在意识自由流动的场所中飘至。Khidthueng conveys longing to be in a particular place and persons,that connects association between origin, myth, and the material. Thecomposition is organized with recordings from Khon Kaen and soundsof brass into the spiritual and experimental pattern. Imagination evokesfrom a field with sound that is beyond representation, leading to thepersonal nostalgic utopia.
Khidthueng is the Thai translation by phonetics, which means ‘miss’ or‘longing’.