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无咎

无咎

秦超伦

2019年

天津美术学院

雕塑

作品编号80632

作品分类装置

创作年代 2019年

作品尺寸65x45x205cm

作品材质其他

题材--

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作品描述

《无咎》作品说明:

灼烧和切割只是在传递同样一个信息——痛苦。在无意识之中去探索意识为何物,在一个正确时前提下用工具切割,不去考虑造型,疏密,节奏,长短……统统由身体的本能带动工具的运动,随机的线条出现在木头上,让其自由发挥自由生长。无限接近极度痛苦和极度饥饿的情感究极体验来感悟生命本源。面对本源的隐蔽性,我们需要更加的深入了解和解蔽。在作品中,要是存在者是什么和存在者是如何被开启出来,也就有了作品中的真理发生。也就是出现了存在于时间之外的东西。我想,正是这个东西,让作者自我的部分随着创作的完成而自我毁灭,成为了正真独立的作品。作品产生了一个世界,具有奉献性和启示性,我想这就是世界的世界化。

 

Description of "No Guilt" :

Burning and cutting just send the same message -- pain. Unconsciousness to explore what consciousness is, cutting with tools at the right time, regardless of shape, density, rhythm, length... All the tools are driven by the body's instinct. Random lines appear on the wood, allowing it to develop freely. Infinite access to extreme pain and extreme hunger emotional extreme experience to understand the source of life. In the face of the source of concealment, we need more in-depth understanding and release. In the work, if what the being is and how the being is opened up, the truth in the work occurs. That is, something that exists outside of time. I think it is this thing that makes the part of the author's self destroy itself with the completion of creation and become a truly independent work. It creates a world that is both revelatory and revelatory, and I think that's what makes the world universal.

 

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