《青云志》

作品《青云志》表现了青年文人双手作揖的形象，吸取了明代何朝宗造像衣纹处理特点，手部垂帘衣纹在视觉上形成了倾泻而下瀑布的观感，而足部翻卷衣纹又如同惊涛骇浪般，此外融入传统文人赏石意趣，借太湖文石交错穿插，通灵剔透，寓指永恒坚毅之精神，头部驻足的雏鹰，目光炯炯，寓指他日鹰击长空宏愿，整件作品气息高古，神情泰然自若，有意虚化眼睛，或是内敛表达或使观者冥想，用心营造，浑然一体，古人曰：穷且益坚，不坠青云之志；是谓『青云志』。 The work "Qingyunzhi" shows the image of the young literati's hands, absorbs the characteristics of the treatment of the clothes pattern of the statue of He Chaozong in the Ming Dynasty. The hanging curtain of the hand visually forms the feeling of pouring down the waterfall, and the clothes of the feet are like stormy waves. In addition, it integrates the traditional .