淘·离之3

尺寸可变（地面装置）、222×11×102cm（墙面装置） 我从老家带来两袋玉米棒，利用脱粒机与玉米的关联，将脱剩下的粒形成文字，应合了“大浪淘沙”的逻辑概念，淘掉的是“有用”的（食物与种子），剩下的是“无用”的（字母与符号）。 2014年4月10日起，我将一部分脱离掉的玉米粒作为种子，播种在北京我所走到的各个地方，开始了我的“玉米计划”…… 墙面装置文字内容是摘自亚瑟·丹托《在艺术终结之后——当代艺术与历史藩篱》的话语： All the works of art can be found a space for one person in the museum；there is no longer any a priori criteria can be determined to enter the Museum of art should be what appearance; exhibition in the museum collection will no longer need to cater to specific narrative. Therefore, Today\'s artists are no longer the museum as a display previous art place, which is full of artistic possibility. 所有的艺术作品都可以在美术馆找到一席之地；不再有任何先验标准可以判定进入博物馆的艺术应该呈现什么样貌；博物馆的展览收藏也不再需要迎合特定的叙述。 因此，今日的艺术家不再把博物馆当成陈列死艺术的地方，里面应是充满生气的艺术可能性。 I brought from home two bags of Corn Cob, by association with corn thresher, and the rest will be combined to form grain text, \"logical concept, scouring away the mighty wave crashing on a sandy shore\" is \"useful\" (food and seeds), the rest is \"useless\" (letters and symbols). On April 10, 2014, I will be a part of detached corn as seed, sowing in the various places I went to Beijing, I started the \"corn plan\"... The wall device text content is from the Arthur C. Danto \"After the end of Art -- Contemporary Art and the Pale of History\": All the works of art can be found a space for one person in the museum；there is no longer any a priori criteria can be determined to enter the Museum of art should be what appearance; exhibition in the museum collection will no longer need to cater to specific narrative. Therefore, Today\'s artists are no longer the museum as a display previous art place, which is full of artistic possibility.