我从来没有见过这样阴郁而又光明的日子 So foul and fair a day i have no seen

以上千张由古典摄影工艺制作的摄影图片连缀成一个动画。独立的摄影图片与流动的录影影像的区别是这里的每一张照片都经过精心的挑选和调制，因此这样一个流动影像的任何一帧都是一个布勒松所谓的「决定性瞬间」。因此影像制作的精良，并没有覆盖掉思想的力量，没有一个瞬间在流动着轻浮地滑过。在叙事中，莎士比亚的经典巨作《马克白》被重编为一个现代都市的办公室政治版本。女巫变身为银行贷款工作人员，以一场成功的劝诱贷款买房推动了剧情发展。马克白的出场伴随着「多么阴郁而光明的天气」的感叹，这位犹豫不决的丈夫正在经历一个蜕变，这是欲望控制下的性格转变，或者现代意义上的成长。而推动这一切的野心勃勃的妻子也是其自身孤独和欲望的俘虏。鬼魂无所不在，在由利益和佛洛德主义之后的人际关系所搭建起来的我们的现代世界中，鬼魂就是目标管理、绩效管理、流程管理、时间管理和形象管理所无法覆盖的人的孤独。这是吴嘉文的后佛洛德主义的马克白，「马克白杀死了睡眠」。 Artist composed more than a thousand photographs produced by classical photography techniques into a series of animation.The difference between individual photographic images and streaming video images is that each photo here was carefullyselected and modulated, so that every frame of such a moving image was what Bresson called a \"decisive moment.\" So theimage was well made, and did not override the power of the mind, and not a single moment glides lightly by. In the narrative,Shakespeare\'s classic Macbeth was reimagined as a modern, urban version of office politics. Witch was a bank loan staff,with a successful persuasion loan to promote the development of the plot. Macbeth\'s appearance was accompanied byan exclamation of \"what a gloomy and sunny day!\" The indecisive husband was undergoing a transformation, a charactertransformation under the control of desire, or a growth in the modern sense. And the ambitious wife who drove all this wasalso the captive of her own loneliness and desire. Ghosts are everywhere. In our modern world, constructed by profit andhuman relations after Freudianism, ghosts are the loneliness of people that goal management, performance management,process management, time management and image management cannot cover. This is Wu Jiawen\'s Post-Freudian Macbeth,\"Macbeth kills sleep.\"